"The author reinterprets the artistic phenomena that composed historical avant-garde art. His method of interpretation is an intertextual strategy that approaches the historical artifacts through recent phenomena. The first case study is of structural film; its most important attributes appear to be artistic strategies questioning the structural/material integrity, durability and permanence of the film work. The second case study is of the avant-garde
strategy of collective work, reinterpreted through the opensource work and interactive art
of today. The author identifies three steps in the development of the 20th-century concept of
joint creative work: avant-garde general strategies of artistic collaboration; avant-garde film
works oriented toward creative collectivism; and collaborative artistic practices that manifest
themselves in non-hierarchical strategies of contemporary interactive art."
strategy of collective work, reinterpreted through the opensource work and interactive art
of today. The author identifies three steps in the development of the 20th-century concept of
joint creative work: avant-garde general strategies of artistic collaboration; avant-garde film
works oriented toward creative collectivism; and collaborative artistic practices that manifest
themselves in non-hierarchical strategies of contemporary interactive art."
info:
LEONARDO, Vol. 40, No. 5, pp. 469–474, 2007 (as part of the refresh! conference papers)
LEONARDO, Vol. 40, No. 5, pp. 469–474, 2007 (as part of the refresh! conference papers)
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